Photos from the Sculptural Papermaking Workshop on June 9

Here are a few photos from the Sculptural Papermaking Workshop I taught on Saturday, June 9, at my Santa Rosa, CA, studio. The participants learned how to make handmade paper and use it to create sculptural works in the class using molds, armatures and other construction techniques. Most work was still wet when the workshop ended, so I hope to get photos from the participants to post later that show the finished pieces. It was great to see all the experiments and creative ideas that the participants tried in the class. These photos are by my husband Timothy S. Allen, and you can see more of his photos on his Blog at

I will be teaching a workshop on Saturday, June 16, 2-4 PM, on how to get grants, residencies and other opportunities. Look at my Blog posting for May 26 for the complete schedule of workshops I am offering at my Santa Rosa studio in June and July 2018. Email me at for more information about papermaking workshops or art workshops in grant writing, marketing for artists, mixed media and fiber arts.


“Living Quilt for Newnan” Blooms again in May 2018

“Living Quilt for Newnan” blooming again in May 2018

Last August during an artist in residency at Newnan Art Rez in Newnan, GA, Jane Ingram Allen created a public art installation titled “Living Quilt for Newnan”.  The handmade paper quilt, made with participation by local residents, has seeds for wildflowers in the pulp, and it was installed in a public ceremony on August 30, 2017. The quilt was placed on a prepared raised “bed” with a headboard and footboard the artist made from local branches. The handmade paper quilt dissolved over time into mulch and the seeds in the paper sprouted and grew, blooming during November of 2017. After the winter, the wildflower plants began growing again, and it is blooming like crazy now in Newnan. This photo was taken by Newnan volunteer Bette Hickman on May 15, 2018. “Living Quilt for Newnan” hopefully will continue blooming all summer and for many years.

the finished Living Quilt for Newnan at installation on August 30, 2017

For more information about the creation and installation of this art project, see the posts on this Blog for August and September 2017.

Workshops in my Santa Rosa Studio for June and July

Papermaking workshop in Feb. 2018

There are still places available in the Hand Papermaking and Art Workshops at my Santa Rosa Studio for June and July 2018.   My studio is in the Studio Santa Rosa, 3840 Finley Ave., Building 32, Studio 107.  Here is the schedule for classes in June and July 2018:

Saturday, June 9: Sculptural Papermaking – Cost $100
Saturday, June 16: Art Opportunities – Getting that Grant, Residency or Exhibition – Cost $50
Saturday, June 23: Introduction to Hand Papermaking – Asian and Western Techniques – Cost $100
Saturday and Sunday July 28 and 29: Mixed Media with Handmade Paper and Collage– Cost $200

For more information and to register, email Jane at or phone 857-234-2432.
Hope to see you at one of these workshops!

Jane Ingram Allen’s Induction into Taiwan Fulbright Hall of Fame

I have just learned that I will be inducted into the Taiwan Fulbright Hall of Fame on May 18, 2018! This is a great honor, and I am sorry that I will not be in Taiwan to attend the dinner and official induction ceremony in Taipei. Below is an excerpt from the letter of Fulbright Taiwan Executive Director, William Vocke, informing me of this honor:

Dear Rebecca Jane Ingram Allen,

With great pleasure, I am happy to inform you of your nomination and induction into the Hall of Fame for the Foundation for Scholarly Exchange.

This new initiative follows on our successful celebration last year of “60 years of Educational Exchange in Taiwan.” As you know, the Foundation is the successor non-profit for the United States Educational Foundation in the Republic of China and took over all the responsibilities and obligations of the former in 1979.

At our Spring Recognition Banquet on May 18th, 2018 we plan to announce the formation of the Hall of Fame and the initial inductees. You are cordially invited to join us for the announcement. We understand that with short notice you are unlikely to attend, but we hope that you will consider joining us or sending a brief email.

A plaque with your picture and short biography from published sources will be featured in the Foundation offices. The commemoration reads:

Fulbright Taiwan/Foundation for Scholarly Exchange

Hall of Fame

“A world with a little more knowledge and a little less conflict.”

Rebecca Jane Ingram Allen
Inducted for
support of enduring friendship between the people of the United States and Taiwan,
significant public and private contributions to international educational exchange, and commitment to the Fulbright vision of a better world.

I was a Fulbright Scholar in Taiwan in 2003-04 and 2004-05, and completed an 18-month research project I called “Made in Taiwan” to make my art with handmade paper from plants of Taiwan. As a Fulbright grantee I spent the first 6 months based in Taipei as an artist in residence at the Suho Memorial Paper Museum and the next 12 months traveling to 13 different parts of Taiwan hosted by various organizations and making handmade paper for my artworks from bark and leaves of 135 local plants. During the residencies in each community I cooperated with local plant experts and also exhibited my artwork and taught workshops for the community about hand papermaking using local plants. The artworks I made for this project were what I call “site maps” that depicted the geography of the place and were made entirely with materials collected in that place. The two-sided mixed media “site maps” were displayed in each place, and the collection grew to include approximately 53 artworks “made in Taiwan”.

Taiwan Site Maps installed at Suho Museum, Taipei, 2004

Cooking some plants for papermaking in Tainan, Taiwan, in 2005

Participants in Yilan handmade paper workshop in 2005

Putting my handmade paper to dry on a Taipei manhole cover in 2004 to create a Taipei Site Map.

Hanging my “Made in Taiwan” site maps in Hualien, Taiwan, in 2004

Teaching a handmade paper art workshop in 2004 in Yilan County, Taiwan, at a local elementary school.

 At the end of my grants my husband Tim and I decided to stay in Taiwan, and we lived there full time until August 2012. I have continued to do art projects in Taiwan involving community people, schools and universities as well as NGOs and other institutions in Taiwan.  I also started environmental art projects to bring other international artists to Taiwan who join with Taiwanese artists using natural materials and working with issues concerning the environment. I started the Guandu International Outdoor Sculpture Festival at Guandu Nature Park in Taipei in 2006 and the Cheng Long Wetlands International Environmental Art Project in Cheng Long village, Yunlin County in 2010 and the National Museum of Marine Science and Technology International Marine Environmental Art Project in 2015.

Cheng Long Wetlands International Environmental Art Project, installations done in 2015 by Marisa Merlin and Roger Rigorth.

All of these projects are continuing in Taiwan, and Taiwan is now a leader in Asia for environmental art with more artists and more communities starting to have an environmental focus and a concern for environmental conditions. I usually go back to Taiwan each year for a few months to do environmental art projects and my own artwork cooperating with various organizations around Taiwan.  I just returned from the 9th anniversary celebration of the Cheng Long Wetlands International Environmental Art Project in Cheng Long village, Yunlin County, Taiwan.  You can see more about this project on the Blog at

I am very happy to be awarded the honor of being in the Taiwan Fulbright Hall of Fame.  I feel like Taiwan is my second home and it is a beautiful place with wonderful people who recognize the value of art and its role in preserving our environment and helping to make a better world.  Thank you to the Foundation for Scholarly Exchange for this honor, and I plan to continue my work in Taiwan.

Jane Ingram Allen’s handmade paper mixed-media works on exhibit in Sebastopol, CA, at The Passdoor


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I am happy to announce that my handmade paper artworks are now being exhibited at The Passdoor, in Sebastopol, California. Sebastopol is just west of Santa Rosa, CA, and the gallery is in The Barlow, a center of shops, wineries and restaurants.
During the summer months, the gallery is featuring artworks related to nature, and I have 3 of my works from the “Site Botanicals” series on display along with 2 works featuring bird imagery with handmade paper. The “Site Botanicals” are mixed media on handmade paper created from the plant depicted on the scroll-like 2-sided suspended artworks. The “bird” pieces are suspended handmade paper and collected natural materials that depict birds (cormorants) seen at Sonoma coast beaches.  Here are some photos of the works on display at The Passdoor.

Hope you get a chance to go by and see my handmade paper artworks this summer. at The Passdoor in Sebastopol.  I will be back in Santa Rosa on May 15 after one month in Taiwan for the Cheng Long Wetlands International Environmental Art Project. I will also be teaching some more hand papermaking and art workshops in my Santa Rosa studio during June and July. For more information email me at


Jane Ingram Allen’s Summer 2018 Papermaking and Art Workshops in Santa Rosa, CA

Summer 2018
Papermaking and Art Workshops
with Jane Ingram Allen in Santa Rosa, California

Announcing a new series of papermaking and art classes for June and July at Jane Ingram Allen’s Studio, Studio Santa Rosa, 3740 Finley Ave., Santa Rosa, Studio 107. Learn something new and fun this summer! Small classes for individualized instruction. If you sign up for 2 classes, you get a 10% discount on the 2nd class. If a friend signs up for a class due to your recommendation, you also get a 10% discount. Please call (857-234-2432) or email (info@ if you have any questions. More information about Jane is on her website at, and recent activities are on her Blog at

Sculptural Papermaking – Sat., June 9, 10AM-4PM

Sitka Spruce trees, detail of sculpture installation with handmade paper from Sitka Spruce bark dried on Sitka Spruce trees near Sitka Center for Art & Ecology, Otis, Oregon

In this workshop we will explore the process of making and using handmade paper to create three dimensional sculptural forms. If you’ve ever been curious about how to create organic and molded paper shapes to use for art and craft projects this workshop is for you! We’ll create armatures with sticks and wire and use abaca and other plant fiber handmade paper to cover our armatures and molds. Issues of transparency, opacity, and shrinkage will be discussed. At the end of the class students can either carry their wet projects home or leave them to dry in the studio and pick them up the following week. Great for those with some previous papermaking experience, though we will review basic sheet forming, and no experience is required.
Class size is limited to 5 students. Workshop fee is $100, and includes cost of materials. Contact Jane by email at or phone 857-234-2432 to register. Registration and deposit of $50 must be received by June 16, 2018, and the balance of $50 can be paid at the class. Use PayPal ( to send by credit card or send check to Jane Ingram Allen, 315 Algiers Court, Santa Rosa, CA 95409.

Art Opportunities – Getting that Grant, Residency or Exhibition – Sat., June 16, 2-4 PM

Jane conducting papermaking art activity as an artist in residence at Boston Harbor Islands National Park, Boston, MA, 2016

In this class Jane will share her experiences about how to increase your chances to get residencies, grants and exhibition opportunities and how to make your proposal stand out. She will give information from her perspective as a juror and artist. Jane has been a museum curator, independent curator, juror for art grants and residencies and a professional artist for many years who has received numerous grants, residencies and exhibition opportunities in the US and other countries, including Fulbright grants and NEA and arts council grants as well as support from foundations and museums. Writing statements and project descriptions and choosing visuals and other support materials will be covered. Participants can bring along an opportunity listing they are thinking about applying for. Examples of an artist statement, project description, images of previous works and resume can also be brought for discussion and suggestions. Bring your laptop to access digital images and files or bring actual photos and writing examples.

Class size is limited to 6 students. Workshop fee is $50.
Contact Jane by email at or phone 857-234-2432 to register. Registration and deposit of $25 must be received by June 2, 2018, and the balance of $25 can be paid at the class. Use PayPal ( to send by credit card or send check to Jane Ingram Allen, 315 Algiers Court, Santa Rosa, CA 95409.

Introduction to Hand Papermaking – Western and Asian Techniques – Sat., June 23, 10AM – 4 PM

Jane making handmade paper from local plants during her residency in Newnan, Georgia, 2017

Learn to make your own handmade paper using a variety of plant fibers that are purchased from suppliers and also those that are prepared from local plant waste materials. We will cover both Western and Asian techniques and equipment for sheet forming. Use your own handmade paper for any art techniques such as drawing, painting, collage, printmaking, sculpture, etc. Those with no experience as well as experienced papermakers are welcome in this introductory class.

Class size is limited to 5 students. Workshop fee is $100 and includes cost of materials. Contact Jane by email at or phone 857-234-2432 to register. Registration and deposit of $50 must be received by June 9, 2018, and the balance of $50 can be paid at the class. Use PayPal ( to send by credit card or send check to Jane Ingram Allen, 315 Algiers Court, Santa Rosa, CA 95409.

Collage and Mixed Media with Handmade Paper – 2 days, Saturday and Sunday, July 28 and 29, 10AM-4PM

Jane creating mixed media Izmir Site Map with handmade paper from plants of Izmir, Turkey, during her 2015 Fulbright Specialist artist in residency at Ege University, Izmir, Turkey. More of Jane’s mixed-media site map works hang in the gallery.

Learn to use wet pulp and dried handmade paper to create innovative collage and mixed media handmade paper artworks. Jane will also show her unique method for joining handmade paper with string and thread to create large pieces that fold for easy storage and shipping. We will use colored pulps, ink, acrylic paint and gel and various fiber pulps to create collage and mixed media artworks with an organic natural feel. Bring along your collection of handmade paper scraps and string and other natural objects to incorporate in your collage/mixed media constructions.

Class size is limited to 4 students. Workshop fee is $200.
Contact Jane by email at or phone 857-234-2432 to register. Registration and deposit of $100 must be received by July 21, 2018, and the remainder of $100 paid at the first class. Use PayPal ( to send by credit card or send check to Jane Ingram Allen, 315 Algiers Court, Santa Rosa, CA 95409.

Article about my eco-art installations in ESTUARY News

The Art of Environmental Restoration by Robin Meadows, March 2018 Issue, ESTUARY News magazine


I am happy to have my environmental or eco-artwork included in this article by Robin Meadows in the latest issue of ESTUARY NEWS. Keep watching this Blog for announcements about my eco-art quilt project with handmade paper and seeds for wildflowers in the pulp that is planned for a Santa Rosa, CA, park in early 2019.

My work in Group show “Green Habitats” at Shiva Gallery, John Jay College, New York City

See below for the latest about the current show in NYC that includes documentary photos and a “living quilt” sample from my recent outdoor installation in a city park in Newnan, Georgia, created during a residency at Newnan Art Rez.

the finished Living Quilt for Newton

John Jay College of Criminal Justice
City University of New York
899 Tenth Avenue, 6th Floor
New York, NY 10019

proudly presents the exhibition


Curated by Dr. Thalia Vrachopoulos

On display from April 25th through June 28th, 2018

Opening Reception:
Wednesday, April 25th, 2018, from 5:30-8:00 PM

As more and bigger natural catastrophes visit our planet, sustainable or ecology-based arts are gaining ever greater importance. Ecological art respects the ecosystems of living species and their environments from an ethical, social, contextual, economic and aesthetic perspective while seeking to remedy or preserve life. It is socially engaged and socially interactive, and at times even intervention-based art. The goals of such art are socially oriented, altruistic and hopeful in that they seek to spark awareness in the public arena about the urban environment’s issues and the alteration needed for a better future. They often include audience participation and growing plants we see in Jane Ingram-Allen’s Living Quilt for Newnan a mixed media installation. This “flower bed” with a “living quilt” as Ingram-Allen calls it, was done with community participation during her residency as a Newnan Artist in Residence in Newman, Georgia in the fall of 2017. Other artists engaged with eco-art are intent on bringing to the fore issues that involve the destruction of our environment. Barbara Roux does this in her site-specific installation At War with Plants Too. The title refers to the susceptibility of nature to human violence; additionally, it is the basis for Roux’s use of the native sycamore whose brown, yellow and green bark appears to be cloaked by camouflage patterns. Milena Popov utilizes natural materials such as tea to make her calligraphic horizontal paper works. One work entitled Landscape Painted with Tea: Conversation with Nature, 2016 . In her eco-painting, Popov carries on a conversation with nature while preserving it for posterity in her artworks. Joan Giordano in her Deforestation Birch Forest sculpture also addresses the field of sustainable art. Her wall sculpture with its wing-like span reaches out to us, much in the same way a mother would embrace her child, a very apt analogy of nature as nurturer. The work is created out of the cast off reddish-brown bark of young birch trees. Bill Pangburn in his Hudson Beisete series also deals with the destruction of ecosystems. His hope is to bring the issue to the forefront of public awareness, so positive changes can be made. By depicting the flow of water as he sees it daily on his bike ride home along the Hudson River, he is simultaneously meditating and commenting on the ephemerality of nature. Antigoni Kavvatha’s forests speak of her love for nature but also for drawing in a style advocated and associated with the academy for its use of chiaroscuro and its naturalistic qualities. But, the academic similarity stops at this point. Indeed, Kavvatha’s monumental horizontal friezes have more in common with site specific installation art and with Asian calligraphy than with an academic approach to drawing. Mary Hrbacek anthropomorphizes her trees to humanize nature in the hope of gaining sympathy for them. Hrbacek has dedicated a large portion of her career painting trees in cool colors that subtly allude to the icy landscapes of her beloved Scandinavian background. Ona B. is primarily an installation and performance artist who through her interventions and depictions of animals seeks to bring attention to their endangered status. Her commitment to diversity and conservancy is reflected in her small red paintings that depict animals such as the Asian rhinoceros which are threatened by extinction mainly through loss of their habitats or lack of genetic variation. In his panels, Giorgos Tzinoudis depicts the consumption of fish by larger fish as a metaphor for the greater human social crisis. His scenes in which smaller fish are eaten by bigger ones, establish a visual metaphor for overpopulation and extinction.

The world’s natural balance depends upon multivalent flora and fauna relationships that are not only ethically compelling but also absolutely necessary to human survival. Biodiversity and the prevention of animal extinction are two environmental factors to be sought for the sake of simple survival as humans are interrelated to these ecosystems. The exhibit and its artists use a visual language to call for respect towards our planet’s natural resources and for the well-being of the planet’s rich biodiversity.

For more information please contact:
The Anya and Andrew Shiva Gallery
John Jay College
860 11th Avenue
New York, NY 10019

Gallery Hours: 12- 6 PM, M – F
About John Jay College of Criminal Justice: An international leader in educating for justice, John Jay College of Criminal Justice of The City University of New York offers a rich liberal arts and professional studies curriculum to upwards of 15,000 undergraduate and graduate students from more than 135 nations. In teaching, scholarship and research, the College approaches justice as an applied art and science in service to society and as an ongoing conversation about fundamental human desires for fairness, equality and the rule of law. For more information, visit

In Taiwan again for 2018 Cheng Long Wetlands International Environmental Art Project

This year Jane Ingram Allen from America, curator since 2010 for this art project, is back in Taiwan again for the 9th anniversary of the Cheng Long Wetlands International Environmental Art Project.  Jane began the environmental art project in 2010 with the support of Taiwan’s Kuan Shu Educational Foundation in the small village of Cheng Long in Yunlin County, Kouhu Township, on the southwest coast of Taiwan.  Jane has been in Cheng Long every year for the art project except 2017.  This year she is co-curating the art project with Chao-mei Wang, who has been the administrator every year for the art project as well as the Head Educator for the Kuan Shu Foundation.  Jane says it is great to be back in Cheng Long to see old friends and meet the new volunteers and see all the changes in the small fishing village, especially how much the children have grown.

This year we invited artists back who had been to the project before, and the theme for this anniversary year is “What A Difference 9 Years Makes” to focus on the changes in the village and the Cheng Long Wetlands over the 9 years that the art project has been happening each year. The 6 selected artists for this year are: Myriam du Manor from France who came to Taiwan to do this project in 2010 our first year, Marisa Merlin from Italy who came for this project first in 2015, Tsuneo Seckiguchi from Japan who first came for this project also in 2015, Firman Djamil from Indonesia who came first for this project in 2011, Chris Lee from Taiwan who came first for this project in 2016, and Ya-chu Kang from Taiwan who came first for this project in 2013. Jane and these 6 artists along with Jane’s husband Timothy S. Allen, our photographer, will be here in Cheng Long from April 12 to May 14 to create new artworks in the Wetlands.  Also, this year we will have a reunion and symposium from May 11-13 on the topic of “Environmental Art and Communities”. Many other environmental art curators, future curators, as well as other previous artists, community people, other environmental art managers and educators will join in the symposium and reunion celebration.  For more information and to register to attend the symposium on Mary 11-13, see the Facebook page for the Cheng Long Wetlands art project:

Below you can see some photos from our first few days of the 2018 Cheng Long Wetlands art project.  The photos were taken by Timothy S. Allen, and he will also be posting more photos on his own photo Blog at and on the Blog for the art project at














































Check back here and also on the project’s Facebook page to see more information and photos as the artworks are created for the 2018 Cheng Long Wetlands International Environmental Art Project.




Jane Ingram Allen’s Spring 2018 Art Exhibitions and Art Projects


“Good Natured”, St. Joseph’s College Gallery, St. Joseph’s College of the City College of NY, Brooklyn, NY, March 14 – April 25, 2018

I will be exhibiting 2 mixed-media handmade paper artworks in this 8-person group show curated by Meridith McNeal on the theme of nature art. Here is the website for the college to get all the details about this exhibition:
My pieces in the show include “Red Hook Site Map” created in 2003 when I was an artist-in-residence at Kentler International Drawing Space, Red Hook, Brooklyn. Also, my “Brooklyn Site Map” is included in this exhibition. Both works are mixed media map-based suspended installations using handmade paper I made from Brooklyn plants.

“Green Habitat”, Shiva Gallery, John Jay College, New York, NY, April 25 – June 30, 2018

the finished Living Quilt for Newnan

I was invited to participate in this exhibition at Shiva Gallery, John Jay College, City University of New York, by curator Thalia Vrachopoulos. The exhibition “Green Habitat” includes works by 9 artists using diverse media who create ecology-based art focused on environmental concerns. I will exhibit photo documentation and a handmade paper sample from the eco-quilt installation “Living Quilt for Newnan” created at my August 2017 residency in Newnan, GA (
Here is the link to the NYC exhibition information:

“New Paper Road”, Hanji Theme Park, Wanju, South Korea, May 3-June 3, 2018.

2018 is the 20th anniversary of the Hanji Paper Festival in the traditional handmade paper village of Korea in Wanju. I was invited to exhibit one of my recent handmade paper artworks at this special anniversary exhibition in South Korea. I am sending a work that I created during my August 2016 residency at Boston Harbor Islands National Park titled “Peddock’s Island Birds”. This work depicts the different species of water birds that are found on the island and is made with handmade paper from invasive plants of Peddock’s Island.

A Walk in the Park, Yolo Arts Center, Gallery 625, 625 Court Street, Woodland, CA, June 2 – July 31, 2018

I will have my mixed media handmade paper artwork titled “Piping Plovers of Fire Island” included in a group exhibition at Yolo Arts Center, Woodland, CA ( ). This exhibition curated by Yolo Arts Center staff features works inspired by walks in a park. My piece was created during my artist in residency in September 2015 at Fire Island National Seashore, New York. I used materials collected there and handmade paper I made from local plant waste materials. The piping plover is an endangered bird in this area, and the park rangers are protecting the beach nesting sites for the piping plover. I encountered a flock of piping plovers that inspired this piece early one morning during a walk on the beach at Fire Island National Seashore.

Upcoming Public Art Project in Santa Rosa, CA

“Living Quilt for Santa Rosa”, Rincon Ridge Park, Santa Rosa, CA: to be installed and dedicated in early 2019.

“Living Quilt for Santa Rosa” is an ecological/environmental public art project by artist Jane Ingram Allen for Santa Rosa, California, to be installed in early 2019, in cooperation with the City of Santa Rosa Public Arts, at Rincon Ridge Park, off Fountaingrove Parkway, Santa Rosa. The project is in cooperation with the Public Arts Department of the City of Santa Rosa and dedicated to the healing and recovery after the October 2017 wildfires that were so devastating in Santa Rosa communities. There will be a series of public workshops and a public ceremony and dedication when the piece is installed. I am working with the city’s public arts coordinator, and we expect to do this project in February 2019.

Curatorial Project

2018 Cheng Long Wetlands International Environmental Art Project, Cheng Long village, Yunlin County, Taiwan, April 12 – May 14, 2018

2018 is the 9th consecutive year of the Cheng Long Wetlands International Environmental Art Project that I started in 2010 in Cheng Long village, Taiwan. Since nine is a lucky number in Chinese, we are having a special anniversary year and inviting artists who have participated before to submit proposals to return and make a new eco-art installation and participate in a symposium about environmental art and communities. In 2018 I will go to Taiwan from April 12 to May 14 to curate this exhibition and supervise the 6 international artists who will create site-specific sculpture installations in the wetlands and village using natural and recycled materials and focused on environmental issues and how the art project has impacted this small fishing village on the southwest coast of Taiwan. Here is the link to the Blog about this international environmental art project:

Art Writing Project

Sculpture magazine, article about the fiber art sculptures of Sheila Hicks (

I have completed the writing of a feature article for Sculpture magazine about the fiber art sculpture of Sheila Hicks, born in Nebraska and living in Paris, France. The article will be published in an upcoming issue of SCULPTURE, and my article features Sheila Hicks’s public art sculpture installation in New York City at the High Line titled “Hop, Skip, Jump and Fly – Escape from Gravity” that continues on view through March 2018, as well as her site specific installation at the Palace of Versailles (, an exhibition at Museo Amparo, Mexico, on view until April 2, 2018 ( and the large retrospective exhibition of her work at Centre Pompidou in Paris, from Feb. 7 to April 30, 2018. (

Please keep looking at my Blog for updates on my artwork and art projects in 2018.